Tango
Tango articles
14 maja 2012 by jantango

Norberto Farro

  I danced with a milonguero seated in Norberto’s chair last night in Lo de Celia, and  I heard that a milonguero named Norberto passed on, but didn’t make the connection until I received this photo from the editor of DIOSTANGO. The good news is that Norberto is in the hospital for an operation.  The announcement [...]
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13 maja 2012 by Lydia

Q&A WITH TORONTO TANGO DUO NINA AND NICK

Nina Velikova and Nick NiagolovPhoto: ©courtesy of Kyu-Ho Jo

Very loved and respected by Club Milonga members but perhaps not well-known outside, are Toronto tango duo Nina Velikova and Nick Niagolov. Their seemingly low profile belies the influence they have on the scene at large – Nina has managed (and redesigned) that long time important source of Toronto tango information the torontotango.com website for four years and as a couple they often teach the Tango Essentials Class at Club Milonga which is an entry point for many new members of our community.

Obviously Club Milonga is your tango home, why do you think that is?
Club Milonga was the first tango place that we went more than 10 years ago. There we became fascinated by Argentine tango. There we made friends and acquaintances with many tango lovers. There we feel welcome.

Unique for Club Milonga is that it provides in one night a combination of extended classes and extended practica, almost a milonga, in a very informal atmosphere. A great variety of tango instructors teach there and although we consider ourselves experienced dancers, we still enjoy taking classes, as we can always learn something more, even if it’s just an idea for another improvisation.

Tell us more about the Tango Essentials Class at Club Milonga.
Club Milonga is a place for social tango, based on improvisational movement. The Tango Essentials Class is designed for people who are new to tango and have less than six months of experience. The groups are usually small – four to eight couples – which helps us give personal attention to everyone. We teach tango fundamentals emphasising things extremely important to begin with – posture, musicality, walking, navigation, footwork, essential basics that many “students” skip and miss while chasing dance patterns.

At the Club the lessons are not organised in sessions, they are drop in only. New people pop up almost every Tuesday so we have to divide the group, start from scratch with some, give different tasks according to levels of experience while paying attention to everyone.

In the past you have taught at other Toronto tango locations such as Practica La Coqueta and Milonga Sentimental (now closed) are you available to do that now?
Tango is a part of our social life and we love teaching it, helping other dancers and having fun. Although, so far our aim is not to focus primarily on being professional tango instructors, we never know what the future might bring.

Nina Velikova and Nick Niagolov

Photo: ©courtesy of Kyu-Ho Jo


Describe your personal tango style.
Our personal style is dominated by “salon-style” tango, with looser embrace that shifts between close and open, while looking toward the clasped hands. We build it over a mishmash of influences, from milonguero-style, through club-style, to fantasia, adjusting to our physical capabilities. We like to interpret and apply the essence of tango to any kind of music.

Are there any particular reasons we don’t see much of you outside Club Milonga?
When we started dancing we use to go to every milonga in town. Although tango is still a big part of our social life we try to keep an active lifestyle and balance between work, family and friends.

What events, milonga, classes, etc. do you go to outside Club Milonga?
Usually we try to attend the big events like The Toronto Tango Festival, Tango Summit, El Congreso and workshops of visiting prominent tango professionals.

As regulars at Club Milonga for 10 years, you have taken classes with many visiting teachers. Who are some of your favourites?
We like teachers who can bring out the best in everyone, making the lesson a pleasant and fun experience. Some of our favourite out of town visiting teachers are Luis Bianchi and Daniela Pucci, Miguel Zotto and Daiana Guspero, Amira Campor, as well as almost all the Toronto teachers who teach regularly at the Club.

Nick, you are a physiotherapist, how does your extensive knowledge of the human body influence your tango and how you teach others?
Knowing human anatomy and body mechanics helps me a lot to assess capabilities to maintain proper balance and perform quality movements. I try to help people to overcome their physical limitations and find the best way to dance.

Nick, if there are tango dancers who need a physiotherapist who understands tango, how can they get in touch with you?
I’m currently working in retirement and long term care homes, but I would do private house visits if needed. If someone needs help I could be reached at: n2tango@yahoo.com.

Nina, you are a graphic designer and you manage the www.torontotango.com website, tell us about that.
I redesigned the website pro bono for the club in 2008 when I was the Club program director. Since, I’ve been managing all the necessary updates, which usually occur bi-weekly.

Toronto has many East European tango dancers but are you two the only Bulgarian Canadians?
No, we are not alone but the group is small. We know a few single dancers, but no couples. If you are a Bulgarian Canadian and a tango lover reading this blog, please contact us at n2tango@yahoo.com, we will be very happy to meet you. Of course, any other tango lover is welcome as well.

I need to mention that we miss a lot another Bulgarian Canadian – Grigor Kotzev (Greg), a prominent Toronto tanguero, who we lost due to cancer two years ago.

Anything else we might like to know about you?
We felt in love with tango because of all the social dances it has the greatest sensual return with its beauty and passion. They say that tango is “the history of love – for three minutes” and this is exactly the explanation behind our tango.

Lydia, we would like to thank you very much for introducing us. We come from an upbringing where modesty is a virtue and honestly we didn’t expect such attention. Thank you.

Nina Velikova and Nick Niagolov

Photo: ©Nina Velikova

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13 maja 2012 by AlexTangoFuego

Happy Mother’s Day To My Mom

I truly am blessed to have the greatest Mom in the whole wide world. She naturally exudes unconditional love. I am a lucky, lucky man to have been brought into being, nurtured and raised by such a beautiful human being.

I love you mom. Happy Mother's Day.

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13 maja 2012 by jantango

Mario Allan Candamil

May 13, 1929 – Alito was born in Veracruz, Mexico, the only son of Odelia Alcantar and Ricardo Santamaria.  His English grandfather’s name was Allan, so he’s always been called Alito.  His mother immigrated to Argentina in 1932.  Alito attended school until the age of 12 and then went to work.  At 14, his Uruguayan step-father Manuel Candamil legally adopted him.  Alito married Josefina Godoy, and they had a daughter [...]
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13 maja 2012 by Idaho Falls Tango Club

Free lesson, Friday May 25th, 2012

Free lesson of Argentine tango, 8pm-9pm. All levels are welcome. If there is enough interest we could continue dancing until midnight. Address: 1011 Kortnee Dr. Idaho Falls, ID 83402; (208) 524-9185.
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10 maja 2012 by Camille Cusumano

How to find a competent editor

Because this post at Writer Beware spent more time telling you what to beware of in editors, I thought I would post a few pointers for what you should look for in a competent editor:
1. Naturally, you want to know something about their body of published work.
2. Are they published writers as well as editors?
3. It is absolutely NOT necessary to be a published writer in order to be a good editor.
4. However, it can help an editor be more understanding of the writers’ challenges and obstacles.
5. However, sometimes the best editor has no writerly sensibilities and can do a crack job from the outside in.
6. How can you figure this out? References, word of mouth, reputation all help.
7. Reputable editors all have websites these days. If they don’t, that’s a red flag.
8. You could google their name and see what comes up. That will tell you a lot. Or nothing. If nothing, move on.
9. Their published works should be at Amazon.
10. Don’t bother with Amazon customer reviews—most editors and publishers totally ignore them, unless the sheer quantity is noteworthy.
11. Through Amazon.com you can find out if published work is self published or not.
12. If the former, do beware.
13. Beware of an editor whose first comments are related to grammar, spelling, typos—they’re too focused on the trees. (They might make a good proofreader, though)
14. You want a “developmental” editor, one who looks at the forest or the big picture.
15. A good editor should first consider your voice, structure, and the proverbial “narrative arc.”
16. The small stuff in #13 IS important.
17. But, your first concern is that an editor have a form of professional “empathy” for your work.
18. You gather this by listening to what the editor reads/writes back to you about your work.
19. You don’t want to be friends with your editor.
20. You want something more brutally meaningful.

Find competent professional editors through Bay Area Editors Forum.

When you have found your perfect editor, let me know. I’ll give you pointers on how to work with her/him in terms of when to push back (and how) and when to not push back. It’s another skill set, involving emotions and attitude.

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10 maja 2012 by Arlene

Milonga Maalbeek – Brussels – A Review

Review of Milonga Maalbeek De Maalbeek, Hoornstraat 97, rue du Cornet 1040 Etterbeek. Metro Schuman, bus 36 & 80 9pm – 2 am We arrived around 11pm. The space is a modern theatre, large, decent sound quality. Use of theatrical lighting, as in Cellule the night before, created atmosphere but made the place very hot. [...]
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9 maja 2012 by Tangocommuter

Tango commuter 2012-05-09 22:54:00


Since we're on the topic, here's Tuesday night Cachirulo at its new home, Boedo Tango, San Juan 3330. Looks good, reminds me of Maipu 444 in layout, although there's obviously more space around. This seems to be the first video they've uploaded from the new venue.



The query is: Thursday night Lujos. Depending on where you look, it's at Lo de Celia or La Nacional. Lo de Celia would preserve the intimate, friendly atmosphere of Lujos at El Beso. La Nacional is an entirely different venue, but very beautiful.
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9 maja 2012 by Angelina Tanguera

Dance floors disappearing fast in Sydney


The last couple of weeks I have spent much of my spare time looking for a dance floor - not a portable one, or one the size of a small dining table; not one that is long and thin like a fashion runway, or one that is buried under restaurant tables - just a wooden floor at least 7metres square if it is surrounded by carpet - or a room with a wooden floor the size of a large double garage. I can
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9 maja 2012 by jantango

Emilio Lopez Varela

May 9, 1944 – Video
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9 maja 2012 by jantango

Casa Suiza

I was walking by last month and stopped to talk with the young man at the entrance.  There was something going on inside, and I was curious to know if renovation plans are underway for Casa Suiza.  That was wishful thinking on my part.  The man told me that the owners are awaiting permits to demolish the existing property and build an office/apartment building with a multi-level [...]
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8 maja 2012 by Argentine Tango with Nathalie

Saturday Summer Milonga – 12th May 2012

Saturday Summer Milongas are being held at Phoenicia.

Start time 9pm .. The first half an hour of this week is dedicated to cabaceo training and milonga etiquette. All are welcome to train the relaxed happy long necked  look :)

DJ Nathalie
Fee 3 euros..please pay the tea pot by the sound system.
11.30pm is the time when be bid nite nite to each other and go home.

See you all.
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8 maja 2012 by jantango

Ernesto Hector Garcia

May 8, 1936 – He’s the Fred Astaire of milonga.  In this video he dances milonga with Muma.
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7 maja 2012 by Tangocommuter

El Beso


So the rumours that have been swirling around the last few weeks are true: El Beso has been closed down. Jantango has confirmed it. I shouldn't be surprised, having been there when it felt crowded to the point of being unsafe. It also means that if it can be made safe it could reopen; depends on whether the owners think it's worth it, I guess. It has plenty of history, but it was small and crowded, and dingy, too, and the lighting wasn't great. There's a demand for milongas, so all the activities will move elsewhere. There are alternatives, some of them a lot more spacious.
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7 maja 2012 by Camille Cusumano

Scenes from Christy Cote’s Tango Boot Camp for beginners, May 5-6, 2012

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7 maja 2012 by Paul Yang

Tango and Integrity


The way we dance tango reflects who we are. We are a big, strong and powerful nation. We are accustomed to that small and weak nations listen to us, and not we listen to them. We tend to do whatever we want, or have our own way, despite what other people want or value. We disregard other nations’ sovereign rights, launch wars in the name of freedom, overthrow governments that we don’t like, violate their entitlement to their own creations—Argentine tango, for example, and treat which disrespectfully at our will. Our politicians fight only for the special interests they represent and fail to balance the interests of all people. “My way, or no way!” is how they do things in Washington and elsewhere within and beyond our borders. We have lost the greatness, magnanimity and humility that we used to have when we were a small, weak and poor nation, and become a self-important, single-minded, inconsiderate, unbalanced, obstinate, and arrogant people.

Contempt, disobedience, showoff, self-glorification, endangering others, invading other’s space, blocking the traffic, running into people, and other misconducts in our milongas are examples of how the lack of integrity affects our tango dancing. Tango requires manners, respect, care, love, consideration, cooperation, balance, obedience, and yielding. A self-centered, insensitive, inconsiderate and arrogant person is not able to see beyond oneself, thus cannot cooperate with others and dance tango well. Tango involves dualities such as external and internal, movement and feeling, beauty and comfort, body and soul, etc. A shallow, obstinate and unbalanced person cannot see beyond the surface and appreciate the depth of tango. Such individuals tend to focus only on the footwork, steps and figures and overlook the partnership, connection, feeling, comfort, manner, etiquette and culture of tango. They think that he who can do fancy steps is a good dancer, which is not necessarily true. We sometimes see a dancer so overdresses and over shines himself it puts his partner into shame. Is such man a good dancer? No! Skills alone do not make a good dancer. It takes integrity as well.

Many people think that a beautiful tango is a good tango. That is not necessarily true either. Tango has both tangible and intangible sides. One can develop skills aiming at increasing its visual impression, or one can develop skills aiming at increasing its sensual pleasure. There are people who deliberately deviate from the essence of tango, break the embrace, drift apart the partners, and sacrifice the intimacy, soulfulness, sensuality and comfort of the dance, just so that they can achieve a stunning visual effect for impression. I don’t think such is a good tango even if it looks dazzling and striking. A good tango embodies a pleasing integration of all elements, including sensuality, intimacy, feelings, emotions, soulfulness, comfort, elegance and beauty.

Integrity is not only a matter of moral character and sound thinking. Tango fits better a culture that values integrity than a culture that values self-interests. In a culture that values integrity, people learn to think beyond oneself and be more considerate, respectful and cooperative. Overemphasis on personal liberty and individual rights could make people put “me” above everyone else. When such people gain the majority rule, that is often why things get so wrong in our politics and milongas.

Integrity is the ability to see beyond the tangible, external and self, to understand the importance of others to oneself, the invisible to the visible, the substance to the surface, the feeling to the movement, and the comfort to the beauty. Tango needs integrity because it involves so many elements. Let’s hope that, as a reader said, “Tango is one more tool to help this culture on its way.”
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7 maja 2012 by Argentine Tango with Nathalie

Primeros Pasos


Argentine Tango Introductory course for complete beginners - starting 6th June



Argentine Tango - Primeros Pasos

taught by Nathalie Mifsud



In this course you will learn the foundations of tango with technique through some fun elements. The course system is wisely chosen so that you may be able to dance anywhere in the world.


DANCE PARTNER: NO need to apply with a partner.

DATES  (course consists of 5 classes, each 1.5h long)
  1. Wednesday 6th June 2012
  2. Wednesday 13th June 2012
  3. Wednesday 20th June 2012
  4. Wednesday 27th June 2012
  5. Wednesday 4th July 2012 
TIME:
7.30pm -9.00pm
LOCATION: 62 St Christopher street, Valletta ( going towards the bottom of Valletta, it is left to Republic street)
  

PRICE for the full course: €50 per person / €35 for full-time students & senior citizens.

Please confirm your attendance by email to nathalie@tangomalta.org stating your full name and mobile number (in case I need to contact you urgently) and all details of any accompanying friends.


Other information..

DRESS: What you want, normally, casual.

SHOES: Followers (usually women) are advised to wear well supported shoes with some heel. NO FLIP- FLOPS. Leaders (usually men) are advised to wear round toed shoes or gym shoes.
NO long pointed shoes, they make life difficult.
IMPORTANT: Payment can be effected on the first lesson. NO refunds will be issued for missed classes, unless informed at the beginning of the course.


GIFT VOUCHERS: Please remember that you can always give a Tango course as a gift to a loved one or a dear friend. Gift vouchers are available from Nathalie (nathalie@tangomalta.org).
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7 maja 2012 by jantango

Juan José Peluffo

May 7, 1938 – It was only a week ago that I learned his complete name, for I’ve known him simply as Chiche since we first danced at Viejo Correo in 1999.  He learned to dance at 12 and started going to dance at 14.  He knows the exact date he will complete 60 years dancing in the milongas.
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6 maja 2012 by Argentine Tango with Nathalie

Sun Tango Practica 6th May 2012

Practica this evening after the workshops. 8pm- 11.30pm at Phoenicia hotel.

Fee
Free for workshop people
All other 3 euros



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6 maja 2012 by jantango

Riobamba 416

I knew the place as Regin until it closed in November 1998.  Later the space on the first floor underwent renovation and reopened as a tango dance academy.  City inspectors closed the place on April 17, 2012.  All classes and milongas held at El Beso have moved to other locations.
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